![]() ![]() “It was an amazing learning exercise for a young, aspiring music attorney.”Ī clerkship at Greenberg Traurig followed, along with a move out west in 2004. Rosenberg’s task during the transition: “to summarize all of the existing record deals for the incoming staff - whether it was Toni Braxton or Whitney Houston or Carlos Santana,” he says. ![]() He had a similar experience as an intern at Arista Records, where he witnessed a changing of the guard from Clive Davis to Antonio “L.A.” Reid in 2000. And being a music lawyer is really about learning by doing.” To hear Rosenberg tell it, the Kansas City, Mo., native’s music business roots were planted back at Harvard Law School, where a clinical program called the Recording Artists Project paired law students with aspiring musicians around Boston “to provide legal advice under the supervision of a faculty member,” he explains. The Promise & Perseverance of Detroit Rap's Rising Stars ![]()
0 Comments
Leave a Reply. |